the laureates, source:Frankfurt Music Fair, exhibition/
Helmut Stettin
Three musical-instrument makers from Markneukirchen, Fuessen
and Freiburg received the German Musical Instrument Prize this
year in the categories bass clarinet and classical
guitar.
Awarded by the Ministry of Economics and Technology, this
significant prize of honour is given in recognition of
particularly high-quality products from German musical
instrument makers. It has been presented since 1991 in two
varying categories. In 2008 these were Bass Clarinet and
Classical Guitar.
To find the prize winner the submitted instruments must undergo
a time- intensive three stage trial at the Institute for
Musical Instrument Construction in Zwota:
their acoustic characteristics are determined
objectively, without player input.
five renowned musicians assess the instruments
subjectively by playing them.
an expert assesses the instruments to gauge their
craftsmanship.
Two classical guitars, which achieved the same number of points
in total, were considered the best in the field of classical
guitar. Therefore the German Musical Instrument Prize 2008 in
this category was equally awarded to Urs Langenbacher of
Fuessen and Sascha Nowak of Freiburg.
The presentation of the prize took place on 13. March at the
Frankfurt Music Fair by the Director of Industrial Policy of
the Ministry of Economy and Technology, Juergen Meyer.
musical presentation of the awarded guitars by Carsten
Linck and Thomas Hanz
Description of the awarded classical guitar, Model 2007:
classical guitar, Model 2007
Materials:
Soundboard
Canadian Cedar
Back / Sides
Indian Rosewood
Neck
Spanish Cedar (Cedrela Odorata)
Fingerboard
Ebony
Design / Plantilla
based on Manuel Ramirez / Santos Hernandez
Scale length
65 cm
Tuning Machines
Sloane
Finish
Shellac, French Polish
gluing of soundboard bars
With regards to construction/ design and methodology my
instruments are formatively influenced by the traditional
handcraft of Southern Spain, especially the Granadinian
„School„. Renowned representives of it are e.g.
Antonio Marin, José Lopez Bellido or Antonio Raya.
gluing of binding
The aesthetics also lean towards this style. Historically it
received strong influences from the Arabic ornamental art.
Large parts of Spain were under Arabic / Moorish rule for many
centuries. The most famous example for Arabic Achitecture in
Spain is the Alhambra of Granada. This ornamental style is
deliberately very plain, and only a few basic elements are
repeated ingeniously and build up to a myriad of
variations.
parts of a soundhole rosette
Aside of such important criteria as response, dynamic range,
balance, loudness, and projection, I set high value on the
mouldability and plasticity of sound. By changing the kind of
attack and technique, a wide colour spectrum should open to
enable the musicians to vary their expression and artistic
creation.
Briefing of the jury´s assessment at the Institute of Musical
Instrument Construction, Zwota:
Sascha Nowak´s guitar received by far the highest acoustic
rating in the physical-technical category. It was the sound
favourite of the test musicians; they particularly praised the
brilliant high range and excellent plasticity of sound
exhibited by the instrument. The jury described its Spanish-dry
sound as very balanced, and they expressly praised its good
price-performance ratio, as well as its ease of playing and
„successful overall design“.